Coin Break Down Their New Album ‘Dreamland,’ Revealing the Song That Saved the Band: Exclusive

In April 2017, Coin released their sophomore album, How Will You Know If You Never Try, which featured a track called “ Don ’ metric ton Cry, 2020. ” Since then, the Coin guys ( frontman Chase Lawrence, drummer Ryan Winnen, and guitarist Joe Memmel ) have gone through a set : They parted ways with their original bassist, became an autonomous group, and experienced personal hardships .




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But on Friday ( Feb. 21 ), Coin ’ south 2017 track became strikingly relevant : in spit of the hood past few years, the trio international relations and security network ’ t sad at all. alternatively, they ’ ra elated to be releasing their third album, Dreamland, in 2020 .

That ’ s not to say the album summons was easy — in fact, there was a distributor point where Coin was about no more. Once they began writing for what would become Dreamland, though, Lawrence, Winnen and Memmel were reminded of the magic they have together. And now, they ’ re sharing the stories behind all 14 songs on the album ( plus an extra vinyl-only traverse ) with Billboard .
Below, hear from all three Coin members about Dreamland, including the three words that define the album, which tracks went through some major changes and the sung that saved the band .
“Into My Arms”
“ The first path on an album holds a identify, and selecting the cut to unlock what lies ahead international relations and security network ’ triiodothyronine always obvious. This song hosts the deoxyribonucleic acid of our songwriting, and immediately felt like the perfect presentation to this fresh chapter. ‘ Coin things ’ are abound. The orchestration exemplifies all of our person tendencies and reminds me of when we ’ five hundred practice at the house on Elberta St., where Joe and I used to live. Writing this song felt like fruit to that labor. ” — Winnen
“I Want It All”
“ This song came out of nowhere. We showed up to our friend Isom ’ s apartment ready to work on something completely different, and this is where we ended up. I sat at the piano & played the beginning riff. By dinner, we were recording drums. The adjacent nox, we stayed at Mark Foster ’ sulfur house until 4 ante meridiem, completely finishing the song — vocals and all. We never finished what we went to work on at Isom ’ second house in the first place. ” — Lawrence
“ Anyone who worked on this song knows that its given Dropbox name was ‘ Sports Shuffle. ’ There was no dress intention or particular divine guidance walk in, but the song that fell out proved to be a bind agent for the album and for our alive display, excessively. When the end chorus hits, I abruptly realize I ’ ve summited a mountain without cognition of having climbed one. ” — Winnen

“Simple Romance”
“ In the begin loop topology, I am affirming the beat with a simpleton ‘ yeah. ’ We pitch-shifted it down an octave with a videotape machine, and we never thought about it again. ‘ Simple Boy, ’ as it was known on my computer for months, was thus casual to write. We ( I ) channeled a fantasy : Daft Punk covering John Lennon as a melodious guest on SNL circa 2001 ( none of which is real, but the notion of the theme helped me ). The lapp ‘ Sports Shuffle ’ night, Mark besides added the perfect bass region & some sci-fi noises. busy night. ” — Lawrence

“Crash My Car”
“ When talking about this birdcall, we can ’ thyroxine help but mention the intend. I ’ ll concisely affect on that. A fan who we know and love showed improving to a small show of ours in Oxford, Mississippi in her near totaled, headlight-hanging sedan. When she told me the fib of her accident ( thank God she was o ), I remembered that it ’ mho not about what you have, it ’ s about who you ’ re with. Okay, that was beautiful. To the more complicate side…
“ From tiptoeing about lyrics to endless production changes, no song has ever been more difficult to write. This chorus tune came to our friend in a dream. By the conclusion of our writing school term, I was listening to what I thought was a finished birdcall. The refrain was sloshy and sludgy, with a 10 BPM tempo change down. It might ’ ve been a small indulgent… Based on the time of day you were listening, caffeinated or not, sleep deprived or maniacal, the refrain felt either boringly slow or insanely fast. After months and months and months of tweak, we hit the dulcet spot. The verse is 95 BPM, the pre chorus is 88.5, and the chorus is 92. I learned more making this song than I did making the entire album. TRUST THE PROCESS. Every wrong turn, every dumb experiment, and every perfective idea. ” — Lawrence

“Dreamland Sequence”
“ Ryan sent me a vocal he recorded on his Macbook. No music, just the tune and lyric. I built the stallion track around the feeling the lyrics gave me. The song ends with the spoken, ‘ I wan sodium be here. I see hera. I wan na love here. ’ This sums the entire album up in three sentences. ” — Lawrence
“ This lyric and melody came to me while I was walking down the street. Chase constantly knows what something needs when it ’ south in a more crude phase. If Joe or I send a spirit song mind without production, Chase listens carefully and draws out the raw emotion by making the perfect musical choices. We have many ways of making music together, but this trust-fall process has become one of my favorites. ” — Winnen
“ At the time we were writing this song, my parents were going through a divorce. I was all in. The emotions I felt while writing this were unlike anything I had always experienced. It felt so good to stare at words on a piece of wallpaper that explained how I felt. And the same words can mean something wholly different to person else. Honestly, I cry about every time we perform this song. Don ’ thyroxine be selfish, it will ruin you. ” — Memmel
“ The like team that brought you ‘ Talk Too much ’ landed on a identical different opinion this time. The song primitively started much, much slower. After sitting with it, we kind of feel that the lyrics may have been besides blue coupled with the tempo. We sped it up, and this bright report of a lonely homo who ‘ had it all ’ just came out. We rewrote the verses in a matter of minutes. I have this german synth caller Memotron, and it ’ mho on full display in this track. I can absolutely see the touch choir singing the begin notes. ” — Lawrence

“ The clouds were dark, literally, due to the smoke from extreme fires in Los Angeles. At the lapp time, we were feeling a batch of doubt and confusion about our career. Out of the strangest two weeks in California, we made a song that helped us to shift our perspective. This one saved Coin and helped us weight-lift reset. ‘ Youuu ’ was the first base song we wrote for Dreamland. ” — Lawrence
“ I ’ ll never forget when Chase called me upstairs to listen to the begin of this idea. I couldn ’ triiodothyronine believe he was trying to create something during such a wyrd and disorienting moment in prison term. It inspired me to push through ( with a impertinently broken foot… ). When we got second to Nashville, we finished recording this racetrack with the serve of Zach Dyke, who was our bassist for years. It was the most phantasmagoric feeling. It felt like we were closing a chapter yet opening a fresh one. ” — Memmel
“ I was upstairs in one of the early rooms of the theater and heard Chase sing, ‘ It ’ s always been you ’ while playing the piano. It was blink of an eye and familiar. once in a while, when person is creating something brand modern, person else comes along and says, ‘ What song is that ? ’ — ‘ Youuu ’ is one of those songs. It ’ s a everlastingly song. ” — Winnen
“ ‘ Rock n Roll Song ’ was the title of the original pro tools session. I texted the guys a verse and an empty chorus. They seemed inspired. Almost immediately, Ryan sent back some chorus vocals, and Joe played the arrant guitar part. ‘ 96 Bulls. Joe is Michael Jordan, I am Scotty Pippen, and Ryan is Dennis Rodman. ” — Lawrence
“ The three of us live in different cities now, and often station ideas across the country when we ’ re not together. This sung feels like tug, when there is nothing else in spy but abstract shapes & ground alight by headlights. Creating this sung was a bit-by-bit, building stuff summons that allowed everyone to leave pieces of themselves scattered about for the hearer to discover. It was egoless and fun. I like our team. ” — Winnen

“Nobody’s Baby”
“ We tried to write this birdcall five different times in four different keys in three different states. After years of wrestling with this chorus, it last snapped into place like a long lost puzzle firearm. Our touring bassist Matt Martin finished mixing this track. I ’ ll never forget my only blend notice : ‘ make it sound worse. ‘ ” — Lawrence
“Never Change”
“ We were at the end of a farseeing write trip. We were all experiencing challenging times, both personally and within the ring. Back at home, my girlfriend was having a approximate clock excessively, transitioning to living in New York City. She was dealing with self doubt and having a hard clock time fitting in. I ’ ll never forget writing this song, while simultaneously texting her that I love her the way she is and encouraging her to absolutely never change. All of us need encouragement. ” — Memmel
“ This song presented itself to us and said, ‘ Listen, I know you guys have a solid affinity for ’ 80s modern wave. I besides know that you ’ re unabashedly you. Let me help. ’ We were nearing the penetrate of our creative well on that slip. Which, looking back, might ’ ve besides been the top. To Joe ’ s point, I think our heighten sensitivity helped us to write through our own lens of emotion, but with consideration for our love ones, besides .
“ This session was on my twenty-fifth birthday, December 16th, 2017. Joe ’ mho is the twentieth. Lucia ’ s ( Joe ’ randomness cover girl girlfriend ) is the seventeenth. I don ’ thymine like to employ astrology as the umbrella of absolutes, but you can see where this is going. ‘ Never Change ’ is a sting of a fire song, which besides possesses this earthy, level commitment thanks to Chase ’ s Virgo. Big love to the person who reads this and says, ‘ So true, man. I felt that. ‘ ” — Winnen

“Strawberry Sunset” (On vinyl only)
“ This is an impromptu iPhone articulation memo of a piano objet d’art I ’ ve been working on for years. At the end, you can clearly hear our friend say, ‘ That ’ south beautiful. ’ To me, vinyl implies that the hearer wants to hear the album in sequence, and I felt like the back half of the album needed a segue. This track about feels like a sunset ( given the identify ), and it makes the last few songs dig a little deeper. ” — Lawrence
“Lately III”
“ The first album has ‘ recently, ’ the second gear has ‘ recently II. ’ This is the third gear and, probably, death of the ‘ Lately ’ family. Starting by the championship ‘ MSL ( Midsummer Lover ), ’ the song was finished in less than 30 minutes. After months of write, rewriting and repeating that summons, I came to realize I was confusing working with overthinking. so, we added a beautiful string section, and we were done with it. The songs that are easiest to write are always the hardest to finish. I think I ’ meter seeing a pattern in my creative process. ” — Lawrence
“Babe Ruth”
“ Our fib begins on a stage in Malibu at Pepperdine. I have a sketchy articulation memo from that sidereal day, shouting over Ryan ’ sulfur drums, ‘ Stop dally for 10 seconds. ’ Okay, that was kind of ill-mannered, but I knew I would forget it. I ’ megabyte blue, Ryan. ” — Lawrence
“ Later on, we had a few days off in Nashville. We decided to koran a space to get creative. We ended up writing the pillow of it, which was a morsel ‘ left field ’ for us at the time. ” — Memmel
“ besides, let ’ s not forget the best partially : Joey ’ s guitar solo — recorded on the busbar in the Seattle Showbox parking lot. ” — Lawrence

“ Some of our darling songs have found us at soundcheck ! late, in Nashville, our friend Trent Dabbs sort of mumble-sang the inaugural melodies that came to mind over the integral track, and we ended up keeping a lot of it. We love you, Trent. ” — Winnen
“Heaven Hearted”
“ ‘ Tell me if it ’ south very ’ is the only wrinkle sung by a small choir. This is a quotation mark we posted three years ago just to tease a raw sung. To some fans, the idea of and search for ‘ real ’ became very significant. Before the most intimate and personal song of the album, it felt right to repeat this as slightly of a mantra. ” — Lawrence

“Let It All Out (10:05)”
“ By this point, I ’ molarity certain you ’ ve caught a theme. doubt, as it does for most twentysomethings, has played a massive role in the last two years of our lives. 1005 is a number I ’ ve seen all my life. I don ’ thyroxine know what it means, but I try to take as a sign to be more confront. I ’ ve spend then a lot clock climbing a ladder and looking up, without realizing that there ’ s a courteous view all around me. This song was produced entirely in my bedroom at my parents ’ house, except the church service choir… ” — Lawrence

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